Текст песни Yellowbird (Andrea Gibson) с переводом

My uncle Billy is the leading Little Debbie’s snack cake salesman in all of

North America.

From Miami, Florida to Vancouver, British Colombia, nobody

sells more fudge rounds, Swiss rolls or nutty bars than him.

My family is incredibly proud of this fact.

We tell it to strangers,

to the respective husbands of our nieces,

to the clerk at the drugstore,

we whisper it in church,

‘Did you hear about Billy? Yeah, he’s the leading Little Debbie’s snack cake

salesman in all of North America.'

And I will never write a poem that will ever come close to matching the

grandeur of that.

So you won the Nobel Prize, did ya? That’s nice. Did you hear Billy put five

hundred cream pies on the rack of a shop’n’save and in 5 days that rack was

freakin' empty

Why

is art the first class to be dropped by any public school?

Why are music rooms empty in junior highs from New York City to Nashville,

Tennessee?

How

can you burn CD after CD after CD while filling your tank with an infinite

amount of gas?

Like the war is worth funding but music isn’t?

Our culture is a prison.

And the only one with the key is little Emi Jones, covering every inch of her

standardised test with the best number 2 pencil version of a starry night

anyone has ever seen and yes,

there is a humming bird in her chest.

Its wings are beating 80 times a second,

but the second you and I will see that Doctor King did not write a speech

called I Have a Dream — he wrote a poem called I Have a Dream.

Y’all, I don’t know if God will ever have a purple heart, but I know we have a

bow

we could pull above the strings of a combat boot and make it sing

like the eyes of a 7 year old boy

staring down the barrel of Apartheid’s loaded guns;

screaming for the right to write stories; to sing songs in his Mother’s tongue

Point me in the direction of glory

I will run towards a tiny hand in the most wounded corner of Palestine,

dipping a brush into a can of yellow paint

to paint a feather on a wing on a wall that is so tall, only yellow birds can

escape

But when they do, they carry the hearts of children on their backs

and when their wings flap, they make the sound of anthems being replaced with

sky.

And I swear, I could see their shadows pass across your glowing face

the night you said you have never given birth to a child

but you tear every single time you write a poem.

We are growing our future

with every borrowed pen

I pray tonight we would write a rain that would fall like the tears at Folsom

Prison the day Johnny Cash smashed his guitar over apathy’s head.

The way Frida Kahlo — in the prison of her own body — had whole years where she

could paint nothing but red

but she painted

to the bars in the locked cells of her pores.

The same way saxophones in New Orleans played music underwater,

knowing some of those notes would rise up to the air carrying people and hope

to shore.

I don’t believe in the godliness of steeples, but I believe in the stain glass

and every key on every organ that is desperate for light ‘cause we are

desperate for life —

for the sight of a captivated audience refusing to be held captive in the

thought that they can only listen and watch.

Picasso said he’d paint with his own wet tongue on the dusty floor of a jail

cell if he had to.

We have to create;

it is the only thing louder than destruction;

it is the only chance the bars are gonna break.

Our hands full of colour

reaching towards the sky — a brush stroke in the dark

It is not too late

That starry night — it is not yet dry.

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